33-10-3402 is a code name for nenad markovic, an imaginative and limitless musician and producer from belgrade, serbia. this release is the second in a trilogy of opium den and whore-house inspired singles entitled mecanica. iii33 features a disorienting vocal, that repeats as if caught in a psychedelic cycle your mind cannot break, accompanied by stuttering percussive elements and metallic textures. cool down is a post-apocalyptic drum circle that keeps your groove alert as it moves between accent placement and eventually builds into a full force bad acid trip. be careful with this record.

three modern cuts created from a new swedish duo, mount liberation unlimited. the duo have a long heritage in the swedish indie-pop scene but have now taken it further. with a lot of inspiration from techno and house have the appearence become something between indiepop and house, with a great body of analogue expression. junk yard connections is super happy to give out this lovely debut ep!

heavyweight 180 gram double vinyl in gatefold sleeve with download code included.

sacred geometry, complex polyrhythms and clean sound design all collide in the work of manchester outfit, akkord. with their critically acclaimed, self-titled debut album charting high in 2014s end of year lists, akkord are not resting on their success, and are already planning their next assault with this new body of work. hth020 consists of four tracks of much darker, moodier sounds, pairing monumental low-end frequencies with surgically precise production. the whole ep is centred around clammy, ominous atmospheres, underpinned by stomping beats and descending basslines, placing greater emphasis on the space in-between, and textured over with a doomsday ambience. the music that akkord create never strays out of their own minimalistic and direct approach to techno, but from there, and beyond, they touch on an ever-evolving variety of styles, which gradually drive us in front of an overwhelming and riveting soundscape. hth020 comes pressed on 180g grey vinyl, cut and mastered by matt colton at alchemy, with de-bossed artwork and a postcard insert.

losers can win is the first ep from electro-pop superband starwalker, comprised of frenchman jean-benoit dunckel (air) and icelandic composer bardi johannsson (bang gang). starwalker is a brand new collaboration between two electro-pop icons: jean-benoit dunckel (air) and icelandic composer bardi johannsson (bang gang, lady & bird). the title starwalker - suitably spatial and curious - is an umbrella term for the duo s new works together. included in this blossoming canon is the debut ep including singles bad weather and losers can win , a celestial song featuring the vocals of keren ann

after several vvaa and remixes, we are glad to introduce you the first solo ep of oscar barila in his own imprint my little dog. the first track is raw girlz , a forward driven song, somewhere between old skool and deep house. its heavy squared bassline and its catchy vocals promise to be a heavyweight stomper in the finest clubs. the second original track is planet hollywood , a melodic and chic deep house song with a brilliant dico touch. if it wasn t enough with the 2 original tracks, there is also room for remixes. the super chilean combo andre butano and demian muller (cadenza, 8bit) makes a fantastic and techy reinterpretation of raw gilz . meanwhile, the serbian mass digital (keno, yellow tale) gives his personal touch to planet hollywood and turn it into an outstanding indie dance masterpiece.

repress 2014 !!
new m1 sessions featuring the work of dj dez, aka dez andres, or to most known as simply andres - who has been on a roll this year with his hit record >new for u<. dez blurs genres like no other from hip hop to house and all the dirty funk in between!

disco bucuresti is an audio homage to romanias capital, bucharest. growing up between the citys communist blocks of flats and maturing in the citys underground discos left a distinct creative mark on andrei idu (the legendary 1979 orchestra). ever since leaving bucharest for amsterdam, andrei felt the need to tribute the place that shaped him. however, it was only until recently that he found the means necessary to express the feelings he felt. thus, records released during the 70s and 80s in romania as sole sample source, analog drum machines, delays, filters and reverbs, all recorded in live takes come together in this evocative ep.

fresh from impressing with the pulsating techno of boris werner and the fuzzy live house jams of san proper, tom tragos voyage direct label turns to a man who needs little introduction: dutch legend and man of many pseudonyms danny wolfers.
best known under his legowelt alias, wolfers has spent the last two decades flitting between strobe light acid house, 808 electro, fluorescent techno and shimmering space disco. throughout, he has kept his productions pleasingly analogue-heavy, making great use of classic drum machines and vintage synthesizers. while his music may be steeped in the past, wolfers productions always sound like the future.

denis kaznacheev, known as the half of easy changes - continues his experiments on the halfway between modular synthesis and contemporary dance music. his debut ep it has two ends is mounted by the remixes from rhadoo and adsum.

fantastic voyages new series, soul city, explores the music being produced in key centres in the early 1960s, when r&b was evolving into the style that was soon widely referred to as soul. having kicked off the series in detroit, we now turn our attention to the big apple. special backstock

an eclectic demonstration of vocal and song-writing prowess, wallflower is a collaborative project between alison marks and leah floyeurs. having made their name as separate performers, wallflower sees these two english artists come together to deliver the say you wont ever ep on defected records, featuring deetron remixes

keep out recordings is honoured to present the latest work of kryn, an eclectic artist who goes from techno to electronica with simplicity and ease, the ep s title is -hey berlin- and is about his interior journey. it describes a chaotic reality, full of lights, extravagance and schizophrenia. the listener is exposed to an explosion of feelings and a sensation of rebellion against everything rotten around us. it is a journey between lights, laser and surreal sensations by the berlin wall. the musical genre hops from minimal to techno resembling the typical style of electronic music without ever resulting monotonous. the videoclip has been created by luca palomba in berlin, his expert eye trasformed the emotions into images. hey berlin has been remixed by theo komp, red pig flower and frazer campbell, an amazing collaboration of artists from greece, britain and japan.

enzino is back with the 5th release. 4 tracks in between house and neo disco. tracks made for the dancefloor. in japan they go crazy with this bombs! limited vinyl only release. no repress!

following on from the 2013 hit sweat ft. cari golden comes part 2 in the collaboration series between groove armada and brodanse.

played by : slothboogie, ernie (minuendo recordings), carlos nilmmns - ornaments berlin, demetrio giannice (enterbt rec.), jorge caiado (balance / groovement), och, amadei, samann (traxx underground), mil (music is love records), steve huerta
having launched the balance music sublabel last year in a curatorial manner with the purpose by design compilation project, chez damier returns to helm the fourth release and fans of the detroit icon will be happy to see say the word features some all new original productions. side a offers a brand new track -tudor por amor- highlight the perfectness of damier s roots in house and techno, whilst also doffing a proverbial cap to new york house thanks to it s percussive vibe. complementing this is an unreleased version of the chez classic -forever mona- that subtly recalibrates the late 90s cut for both house and techno ears. on the flip we get a taste of heart 2 heart, a new collaboration between damier and young french producer ben vedren, with -shigan- featuring in both rex dub and detroit 3000 dub form.

das zweite album von klinke auf cinch mit dem titel -highs & hills- erschien im november 2012. begleitet von der transparenz-offensive releasingarecord.de legte das kollektiv ein von presse und publikum gefeiertes meisterwerk vor. nun, fast zwei jahre später, erscheinen die -highs & hills remixes-. die langsamkeit ist konzept. hier wird nicht auf schnelle moden, hypes und kurzfristige aufmerksamkeit geschielt. es geht um organisches wachstum, um das vertrauen, dass umwerfende musik ihre hörer finden wird. und um das konzept familie bzw. kollektiv. die bearbeitungen kommen allesamt von namhaften künstlern aus dem umfeld von klinke auf cinch. zum teil verbinden jahrelange freundschaften und eine vielzahl gegenseitiger remixe und kollaborationen die musiker. die sechs mixe stammen von marbert rocel (compost), tillmann jarmer (zughafen), fdf (freund der familie), boytalk (freund der familie / ortloff), pentatones (lebensfreude / live electronica feuerwerk) und the micronaut (acker / 3000 grad).

limited edition to 200 copies only
dark and trippy sounds on a label straight from berlin… in the dark again brings out music between acid, new wave/ minimal wave and psychedelic techno and dub. made for the very special moments on the floor.... support from lauren garnier, steven tang, luke solomon,

the royal family & the poor is the nomenclature adopted by mike keane, who recorded for factory records between 1980 and 1986.

this vinyl is very special colab between europes biggest goa-psytrance organisations. all artists on this vinyl, performed on the freaks united party in february 2014 without receiving any fee. this benefit party was held in belgium. it was an huge succes and after this one party the vinyl was immediately a fact. the organisations (artists) that are involved: global aura, greentree records & sita records.

at the end of 2013, boston bun released his second ep, *flasher*, on ed banger. the three tracks were hypnotic and tailored for clubs. they were played on the radio (bbc1, le mouv, france inter) and also by the best djs on the electro scene (2manydjs, skream, duke dumont, erol alkan, surkin, boys noize, daniel avery…). boston buns new ep, *we got soul*, is a great step. vocals are more important than ever, it is club music with soul! *we got soul* features bear who? (dj sneaks voice) on vocal. it is an anthem-tribute to the mongoloids, boston buns main influence that adds a contemporary flavour to the special scene. the b-side, *time bomb* (featuring the dj/singer piu piu) is an emotional growing track, between pads and explosion. with such a unique and breakthrough sound, boston bun establishes further more among the french producers who really matter.
the vinyl ep includes a download code.

vinyl only !!permanent affinity ep is a collaboration between label head george paar and claudio mate from italy. a djs record composed of two tracks each with its own style.

nolan returns to connaisseur this month with renowned actor idris elba on vocals for *children of house*, of norway on remix duty. *children of house* is nolans second release with the german imprint connaisseur following his *ghetto bicep* ep that saw big support from the likes of wolf + lamb, droog & maceo plex back in 2012. the brighton based producer re-joins an impressive roster of artists such as kollektiv turnstrasse, ripperton, afrilounge and chymera with this release. blurring the lines between disco and house nolans productions have previously found homes at notable labels such as off recordings, get physical, nervous records and audiojacks imprint, gruuv.

human being always worshiped things that he doesn t understand, things that overtakes him, and to the inexplicable meeting point between conscious and subsconscious. « connected universe » evoke an idea of a united universe, where the visible mix with the invisible. between deepness and levity, smooth and granular, intersect misty blanket and avalanche of texture. keadzs music, the pair from toulouse member of the young co-operative la petite compagnie, navigates into a stirring and enchanting dub close to ambient, and grows around a melodic and recurring theme during the all album ...

• handstamped white label from a uk live techno three-piece.
• heat-treated slabs of techno with scorched acid lines and sun-bleached pads.
• draws on classic uk techno and rave tropes - taking it back to the raw!
• mastered by christoph at d&m saturated, sunburnt techno from the heart of the uk. this raucous three-piece have had several solo records between them over the last 12 months but nothing quite this raw... acid lines that burn down warehouses, pads that shoot a ray of light through the darkness and intense industrial machinations mark this out as an exceptional debut !

two ling form tracks written between *onkalo* and the last petrels album *mima*, which, once more, prove that petrels output is thrillingly eclectic and unpredictable.
limited edition of 200 copies on 180 gram vinyl, housed in thick covers and thick printed inner sleeves with download code included.

dave harringtons first solo release is a two track, multi-movement ep called before this there was one heart but a thousand thoughts. casting synapses between his work as as a multi-instrumentalist, dj and producer, harrington leads a sonic odyssey through this latticed world rich in wild experimentation and sublime, combustible beauty.

anoma is proud to get things started with its maiden double sided 12-, featuring a collaboration between eccentric trooper -dr. beat- san proper and anoma records founder ohm hourani. side a : -triple x- - abstract lyrics mouthed to describe a blurry path to somewhere. accompanied by several acoustic elements, organic patterns and a healthy dose of soul. in the end, it s all about life, death & sex. side b : -she s gone- - atypical drum beat held in place by atmospheric sounds that promise to hold you tight until the wee small hours of the morning. the vocals tell a story that happened when you were not looking. this record will be enveloped by a cover sleeve that features an exquisite painting entitled -earthache- by our art director laucolo.

now ovo, the eagerly awaited new luca bacchetti ep, is here! with this work on his endless imprint, luca seems to be delineating a new soundscape, maintaining the psychedelia he introduced into his productions a few years ago, but now more synthetic and in some ways even minimalist. in ovo we can find a brace of dancefloor tracks, no gravity and the space between us, that maintain and harness luca s emotional and intricate atmospheres whilst also employing powerful sounds and elements that embrace the movement of the body. mature, emotional techno, where ethereal dream-like atmospheres find a singular expression and their own distinct identity. it is no coincidence that the whole ep was recorded entirely high up in the tosco emiliano apennines: a place where, for luca, nature is the element that most influences this new aural pathway. as he himself states: “it’s this contrast between isolated lands and the chaos of the big city that produces this state of being: a new dialogue. they are two worlds which overlap within my soul: when i’m in new york i think of these mountains and when i’m here i think of the bustle of tour life .. but it’s up here that i find the seed, in this case ovo.”

the berghain support for mount kimbie with a special release between dance and independent.

played by nail, luke solomon, pete woosh (diy/spirit wrestlers)..first volume of house tracks picked from the velocet catalogue, nails previous label, which he ran very badly between 1995 and 1997. most of the unsold, og copies now lay in his ex-wifes cellar, covered in mushrooms. 300 on clear vinyl, no repress.

nice price deal !!! recit records second release entitled first recitation is a compilation introducing tracks from label family artists.sabine macher a german poet living in paris, kassian troyer a sound engineer and producer from berlin havingreleases on dial records, antony martz a brand new french artist, the japanese electonica duo velveljin, ooscoand ysée the founders of the label, masahiko takeda a young japanese dj and producer, and the anonymoussound artist ollr fameck.the first track of the compilation, voina i mir sans je, (extrait) from sabine macher, is a simple sound poemwhere she reads some passages from her own unpublished text. swinging between personal stories andabstractions, recorded in her apartment in paris, it sounds like an imaginary recitation involving tensions betweenthe things around the poet.the compilation continues with the production of kassian troyer, zasso, a deep but refreshing abstract technotrack. having well-thought subtle layers of synthetic and concrete sounds with electro acoustical approaches, thetrack describes a very organic and warm sound texture...

the ep finds jeremy mining the depths of bass music, synth pop, ambient hip-hop, and everything in between.

you will recognize the feelings in follow me home it captures the moment between the intense, ritualistic celebration of a night on the town and the quiet return home. in a cold world, we try to cling to the sensations of togetherness and of belonging before the morning comes.

maeve label honcho the drifter and co-emperor of the permanent vacation kingdom, benjamin fröhlich, team up for some rascal business. always quick to pull the sling shot out of the back pocket and hit you right between the eyes, the original version of -waterville- is full of hazy melodies, washed out bells and quirky arpeggios backed up with concrete drums for some extended dancefloor meditation. while the high tide mix wraps things up a bit with some more prominent drums and a little extra spice on the bassline. mysterious uk producer a sagittariun sculptures out of the original a breakbeat house track, that sounds like a hidden treasure from this short but influential period.

anchored between the end of the 80s and the beginning of the 90s, when industrial music courted funk, when electro(nica) made a shy appearance and house was visceral and plaintive, also inspired by current r&b productions and futuristic hip-hop, tropics of love is a slow tempo record that shines like a steel sun and rings diabolically romantic.
the double 12 inch lp comes in gatefold sleeve with cd-copy of the full album included.

nelistening back, ‘interlude’ will feel like the perfect opening to ‘skylax’. a jazzy encore crawls in, morphing into a skippy hip-hop instrumental with jason’s signature flourishes all over it. aptly named as it is, this is the breathing space between whatever came before in your day, and the eleven deep house gems that are to follow. speaking of, ‘the love’ will have you gripped from the first bar. it glides the listener in, then subtly drops that signature, tightly-tuned bassline of jason’s and continues onto soulful vocals from there. ‘old dayz’ touches on a bit of a nostalgic note. the spoken vox cuts harken back to 90s hip-hop joints, playing over a looped latin sample-led beat. from there, ‘rawkicks 2’ shows jason’s rough and ready sampling style in action. a seemingly simple track, but one which has that special something which guarantees to keep people on the floor moving for its duration. ‘cut b’ contrasts this nicely, being a much cleaner production with tight drum programming and synth work. that said, it still has the classic jg atmosphere we love. closing out the first half of the album, ‘definition’ slows the pace ever so slightly, with its eternal pad structure that builds up the track’s momentum into something very mellow and deep.bringing in the second half of ‘skylax’, ‘john blue’ takes things back a notch further. a deeper tune, yet one that shows off an uncharacteristically punchy bass hit from jason. ‘last night’ is a track more reminiscent of jason’s first lost cuts ep on wax classic, sounding as if it had been freshly taken off an old tape with its sample-led beat and background hiss. the last four tracks of the album see a return to the ‘mastercuts’ and ‘lovedits’ series which fans will recognize from the ‘lost cuts’ records, with ‘lovedits 7’ and ‘mastercut 5’ respectively. the former is a laid back female vocal edit with the entire suite of signature jg touches while the latter is a garage house hit more crafted for the club. ‘bb’ brings the album to a close, twisting a disco/funksample over a pallet of drums and effects for the near six-minute duration of the track.all in all, this is the perfect follow up to jason’s debut album ‘313.4.ever’, with tracks for both the club and home listening. if you happened to miss the first album back in 2012, don’t forget that now you have the chance to grab it in a special double pack with ‘skylax’ on cd!so, needless to say, this timeless record is a must purchase for all collectors and djs out there

the latest bass culture presents an exciting partnership between label boss d julz and his long time friend cassy, resulting in three tracks of the kind of refined house music that you would naturally expect from two well-travelled djs. her global status as a dj ensures cassy is never far from the minds of switched-on house heads, but its a rare treat to enjoy her own productions. when she appears on record she makes it count, and its no different here as her and djulz tap into what makes them tick as djs and dancers alike

location 141? location unknown? although one would hazard a guess at somewhere in the ether between chicago and detroit (that is, of course, if we didnt know any better). this mysterious créature de la nuit sits comfortably between the two places of influence and bends them into his own style to herald rogue cat sounds first emergence of 2014 and, in doing so, unfurls two killer, bumpin and weighty jams for the discernable discoid freaks in all of us.

pauls rather unique vocals lie somewhere between david bowie and richard butler of the psychedelic furs. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. each lp includes 2 postcards with live photos, a list of instruments used and quotes, that are suitable for mailing. this collection highlights a lost duo with a big sound on par with ultravox, human league, omd or devo.

it is a two heads job. parisians producers pawn heart and fareed (also half of the techno duo society of silence) deliver a first split ep. for over a year, influenced by the raw sound of detroit and chicago, they were exchanging tips and compositions, catching each other, when possible, in the cold but intense urban landscape, drawn between northern paris neighbourhoods and banlieue.

the deeplabs imprint releases its fourth record with a killer collaboration between label ceo luke hess & fxhe label boss omar s. made specifically for the dance-floor! automatic night brings you a classic analog excursion - a perfect blend of detroit techno & detroit house. outerspace drive reaches for space sure to be played by all future space travelers who wish to boldly go where no man has gone before. lets ride!

fad is born in 2013 fruit of the collaboration between felipe valenzuela, argenis brito and dani casarano. the three cadenza artists began working together under the guidance of ricardo villalobos in berlin and have produced this exquisite ep full of elaborate textures and intricate phrases. the ep comes with a remix by alexkid, already a living legend in underground music.

one nycs brightest drops a beauty of a double lp on dekmantel. awesomely dope!

the 5th release on de:tuned comes from prolific german producer thomas p. heckmann and features 8 previously unreleased tracks from thomas vaults recorded between 1991 and 2001

its time for local talk to go local again with another swedish producer, eric ericsson. with numerous releases out in labels like planet e, fragile and freerange he is one of those producers with one foot in the techno scene and another in the more soulful house scene. basically, he is not a one trick pony! for his release on local talk we would say he lands somewhere between classic chi-town house and thumping nyc house groove but without sounding too retro or washed out. its simply real house music!

defeating apathy by creating his own world, abdulla rashims music thinks before it speaks. untangeled energy and drive breathes life into the rigid rhythmic structures, where the wild, almost primal, core illuminates the heartfelt and soulful layers within in his music. this musical contradiction between thought and letting go, acts as the base foundation in abdulla rashims music.

from the two individually revered artists seuil and le loup, comes the debut lp under their collaborative dj/producing alias hold youth. a collection of dance-orientated tracks, designed to make the body move, de la club explores the origins of hold youth’s fundamental influences to their modern day stance.a lp in two parts, the first vinyl is almost a retrospective of primarily state-side club sounds, but also of the pair’s early musical staples. paying homage to old skool production, the inspiration drawn from the detroit greats like moodymann and andres is clear on the funked-out, jazzy vibes of street my baby or the smooth flowing les enfants du soleil. hold youths love affair with head-bobbing hip hop also makes an appearance on the intro and outro, sampling the one and only j dilla, perfectly combined with their own personal beat-boxing. not forgetting their french 90s roots, kool & the boug oozes that warmth defined so well by pepe bradock and trankilou… a club track which has the power of subtlety to submerge the dancefloor that one level deeper. part two looks to the example of german minimal and micro house and brings us up to date with the sounds fresh from hold youth’s record bag today. be it the weird and murky territory of dodge this, or the eerie, glitchy world of black dog, their modern vision of de la club is darker and sturdier in its stature. but it is the ability to weave seamlessly between the lps two halves, two ideals, which truly characterises the hold youth ethos and their signature djing style.

ital & halal is the psychedelic new collaboration between shadowy producer aurora halal and planet mus iconoclastic ital. recorded over six months, each track is a spiraling world unto itself, coursing between strobing club anthems and ephemeral headtrips.